'A wonderful piece of polemic against everything that's wrong with the way we deal with time today.' Independent WINNER OF THE BARNES AND NOBLE 'DISCOVER AWARD FOR NON-FICTION' 2003 An infectiously enthusiastic and original piece of cultural analysis on the one subject that has ousted sex and money from the top of the obsessions league. In thrillingly ebullient style and with every paragraph fizzing over with smart ideas smartly expressed, livewire polemicist Jay Griffiths takes Time in her teeth and champs and chews at it until it's a far more palatable item - something to nourish us, not just to tempt and worry us. Her fascinating exploration of the passage of time includes (among many other things): our obsession with speed, with overtaking; motorways and their link to fascism; war; Mercury and the mythology of time and speed; History and the heritage industry; the 'meanness' of Greenwich Mean Time; the fast language we now have to go with fast food; Aboriginal Dreamtime; the difference between festivals and pageants; May Day; New Year; fin de siecles; the Millennium Dome; the time-consuming nature of housework; sex as anti-authority and anti-linear time; male concepts of time set against female; plastic surgery and the denial of aging; the evolution of the global calendar and clock; clock time versus wild time. At once playful, political and passionate, she discusses Time's arrow/domain/passage/gender/ linearity/circularity/speed/sloth/etc with exceptional elan. It all makes for a hugely entertaining, exciting and even terrifying book which marks the beginning of a significant writing career.

This new book of essays from the author of Wild tracks the turning light of the day and seasons, an almanac of the turning times. Beginning in night and winter, it moves to dawn and spring, then noon and summer and finally evening and autumn. Set partly at the author's home in Wales, the book journeys widely, searching for a dead father in Prague, listening to the Sky-Grandmothers of Mexican myth and staying with the people of West Papua who, when they know they will fall over laughing, lie down first. It asks: what is the real gift of the misunderstood Goddess Nemesis? Why should flowers be prescribed as medicine? What do male zebra finches dream of? Where do the sands of time run fastest, and how is that connected to the age of anxiety? It explores the dawn chorus; the tradition of sacred hospitality; dust from the time before the sun even existed; the twilight time of the trickster and the daily rituals of morning. In all of these it asks: why does light, through the hours of the day and the seasons of the year, affect us? Griffiths concludes this extraordinary collection by deciding that light is in fact how we think.

A sharp green tale from the award-winning author of Pip Pip: A Sideways Look at Time and Wild: An Elemental Journey. "Boiling hot day, McTypical McSuburb, McTypical McSunday. I'm watching the neighbours, going into their gardens to mow the litter... YA BASTARDOS! VIVA LA-FUCK-THIS-FOR-A-LIFADISTAS..." So begins a young man's search for freedom, leaving the confines of Wimbly and finding himself living in a treehouse, a partner in grime with the road protesters of Newbury.

Why rebel? Because our footprint on the Earth has never mattered more than now. How we treat it, in the spirit of gift or of theft, has never been more important. Because we need a politics of kindness, but the very opposite is on the rise. Libertarian fascism, with its triumphal brutalism, its racism and misogyny - a politics that loathes the living world. Because nature is not a hobby. It is the life on which we depend, as Indigenous societies have never forgotten. Only when it is dark enough can you see the stars, and they are lining up now to write rebellion across the skies.

WINNER OF THE ORION BOOK AWARD Part travelogue, part manifesto for wildness as an essential character of life, Wild is a one-of-a-kind book from a one-of-a-kind author 'Undefinable, untameable, profound and extraordinary' Observer _________________________ 'I took seven years over this work, spent all I had, my time, money and energy. Part of the journey was a green riot and part a deathly bleakness. I got ill, I got well. I went to the freedom fighters of West Papua and sang my head off in their highlands. I met cannibals infinitely kinder and more trustworthy than the murderous missionaries who evangelize them. I found a paradox of wildness in the glinting softness of its charisma, for what is savage is in the deepest sense gentle and what is wild is kind. In the end - a strangely sweet result - I came back to a wild home.' Wild describes an extraordinary odyssey, courageous and sometimes dangerous. It is by turns funny, touching and harrowing, and offers a poetic consideration of the tender connection between human society and wildlands. _________________________ 'Easily the best travel book that I have read in the last ten years' Guardian 'Wild is like nothing else I've ever read: thrilling, troubling, frightening, exhilarating. This is a truly necessary book, and we are all lucky that the subject found a writer worthy of it' Philip Pullman 'Passionate, rigorous and utterly honest, Griffiths's remarkable book is written in a style as wild and exciting as its subject' Robert Macfarlane

"There are galaxies within the human mind, and madness wants to risk everything for the daring flight, reckless and beautiful and crazed. Everyone knows Icarus fell.But I love him for the fact that he dared to fly. Mania unfurls the invitation to fly too high, too near the sun..." Tristimania is a stark and lyrical account of the psyche in crisis. It tells the story of a devastating year-long episode of manic depression, culminating in a long solo pilgrimage across Spain. The book is rare in recording the experience of mania and shows how the condition is at once terrifying and also profoundly creative, both tricking and treating the psyche. In exploring its literary influence, Griffiths looks at Shakespeare's work, and examines the Trickster role, tracing its mercuriality through the character of Mercury. An intimate, raw journey, the book illuminates something of the universal human spirit.

A stark, lyrical and personal account of the psyche in crisis from the bestselling author of Wild and Kith "I want to describe it for those who have never experienced it but who perhaps know someone with it. If this book can befriend just one person in that terrifying loneliness, it will be worth writing." Tristimania tells the story of a devastating year-long episode of manic depression, culminating in a long solo pilgrimage across Spain. Recording the experience of mania as has rarely been done before, Jay Griffiths shows how the condition is at once terrifying and also profoundly creative, both tricking and treating the psyche. An intimate and raw journey of mental health and recovery, Tristimania illuminates something of the universal human spirit. 'Profoundly poetic. A glimpse of madness from inside the eye of the storm' Observer

A brilliant and poetic exploration of the way that we experience time in our everyday lives.
Why does time seem so short? How does women's time differ from men's? Why does time seem to move slowly in the countryside and quickly in cities? How do different cultures around the world see time? In "A Sideways Look at Time," Jay Griffiths takes readers on an extraordinary tour of time as we have never seen it before.
With this dazzling and defiant work, Griffiths introduces us to dimensions of time that are largely forgotten in our modern lives. She presents an infectious argument for other, more magical times, the diverse cycles of nature, of folktale or carnival, when time is unlimited and on our side. This is a book for those who suspect that there's more to time than clocks.
Irresistible and provocative, "A Sideways Look at Time" could change the way we view time-forever.